Author: Verse

Novocaine (2025) 3/5

Jack Quaid is Nate, who finds himself chasing down the sudden love of his life (Amber Midthunder as Sherry). There are twists along the journey, but none that are handled very well. Then there is Ray Nicholson as Simon, the supposedly menacing villain of the movie, who feels as though he is constantly holding back and playing into the writers’ room.

There are undoubtedly funny moments, and it is probably the strongest area of the film, but some deliveries could be punched up, and some payoffs could happen that never do. I found myself thinking about how the movie could benefit from a partial injection from the movie Crank. Novocaine certainly doesn’t need everything Crank was, but it could use a bit more energy and self-awareness. As is, it gets a bit lost in monologues and a bit of a middling tone.

This is where I get a little into spoiler territory. I think the pie thing should have looped around with him accidentally biting himself and bleeding a little, with that same big smile on his face. Some more characterization would have helped to explain why this guy goes as far as he does for Sherry and why he is so quick to okay her criminal ways—having been involved in this situation and past ones that got people killed. It was probably okay that Sherry was two-dimensional, but I don’t think the protagonist should be so close on the line. The last act is a bit too long, and I was tired at seeing Simon’s inevitable demise being dragged out.

I think people who are looking for a dumb-fun type of time will get a lot more than me out of this. I like to backseat my brain sometimes, but I am also the wrong person to ask to get excited about car chases or to overlook people acting in nonsense ways.

Terminator 3 Rise of the Machines (2003) 1.5/5

I remember when T3 first came out, I thought more highly of it than everyone else I knew. I guess I’ve changed, because it is such a disservice to the franchise.

Story and Vibes

Ol’ Arnie is not given a lot to work with here, as he fires pounds of lead at police officers only for no human casualties to flash across the screen. Mind you, he is carrying John Connor, who is chiefly important to protect, while being fired upon. But bullets have very little weight in this movie.

Then there is the whole Linda Hamilton thing—or lack thereof. I did some reading, and I guess she had the good sense to not want to come back, and so they simply wrote that she died off-screen. Why do all of these follow-up writers and directors want to kill beloved James Cameron characters off-screen? Yuck.

The story feels directionless. There is an immediate need to survive, but not a strong direction that the protagonists are working towards, and the movie is weaker for it. It takes nearly an hour into the movie before one of the trio even believes that what is happening is real. The script just isn’t it, and it doesn’t show a skilled creator.

Oh, and stating that Judgment Day is inevitable and could never be stopped kind of kills the franchise vibe. It just does not feel as good that all effort in prior movies was only to delay the dial a bit. It is also absurd that, of all the ways humanity would wreck itself, this is the one that has to happen—with only slight variations.

Oh, oh! I know they explained it, but having everyone of importance being killed within the confines of L.A. is seriously dumb. That is even after you ignore that none of these people seem to really matter, and their deaths just feel like a waste of time. Plus, they never once draw the worry out of people like a simple phone call could prior. I really feel like the director has to be at large fault here for not recognizing so many faults.

Even the lighting is awful and lacks any character. Zero mood.

Effects

All over the place—some visuals look great, and others look at home in a cheap SyFy channel flick.

Cast

The cast is all over the place. The aggressing Terminator—beautiful and deadly—is unevenly portrayed. I don’t entirely blame Kristanna Loken, as there are childish choices throughout the movie and our antagonist is not spared from them, as her breasts grow to try to trick an officer during a speeding stop. Not to mention she is led through the role as a smug terminator and that just feels so out of place. Slight smiles in response to swing in her direction feel overly human and wasteful. After creating two of the most iconic killing machines, this one wet the bed.

Arnie is himself but also falls victim to such jokes without buildup or payoff. “Talk to the hand,” he tells a gas station clerk when confronted about paying for items he has collected. None of these items prove vital, and I am not really sure what the stop accomplished for the script, but it is just one small example in a sea of examples of why the movie is bad.

New John Connor, played by Nick Stahl, never offers anything unique but isn’t terrible. It is a case where you could swap him out with any other early 2000s star and it would be samey. It is a shame—movies like In the Bedroom show that he can definitely act. I just take this as further evidence that the director doesn’t know what he is doing. Sorta similar vibes from Claire Danes as future wife to John Connor. I had to look up that her name is Kelly, but I don’t think it should be held against me. The movie doesn’t give Kelly anything to really work with that isn’t trio-discussions about what is coming in the future.

Conclusion

It is bad and it is better to leave it off the timeline.

A Minecraft Movie (2025) 2/5

I have probably spent upward of a thousand hours goofing off in Minecraft Java Edition. I accomplish very little, but I always have a good time each time I jump back in since launch. That being said, I know the target audience is probably younger and so I went into watching A Minecraft Movie ready to embrace that it was for a younger audience. Even having done that, I just don’t think the movie is very good. Spoilers ahead.

Visuals

Visually, the movie is charming at times. In the real world, there is an aesthetic to the locations and even more so to the characters. However, I think quite a few scenes in the Overworld are jarring as real people stand on animated terrain. At times, the green screens feel present even when completely unseen. That isn’t to say that there is not some cool imagery here. The Nether looks especially neat and is an area that is mostly kept for just the piglins, and so it works very well.

Characters

Jack Black doesn’t slouch in his efforts as Steve, and fully tries to sell each scene regardless of whether they work or not and that is to be commended. Most of the other characters don’t really get fleshed out. Danielle Brooks is almost insultingly treated, as she plays Dawn, who gets to serve up almost nothing to the story and her character is little more than just a face to react to things. Trailing behind is Emma Myers as Natalie, with some initial development that doesn’t ever go anywhere or circle back meaningfully. Jason Momoa as Garret “Garbage Man” Garrison gets some fun moments and serves as comedic relief and a very mild foil to others’ good intent. He has some legitimately funny personality and that was cool to see when I was assuming he would grate my nerves based off the poster. Henry, played by Sebastian Eugene Hansen, doesn’t change throughout the flick and his growth is not succeeding (through no fault of his own) and then succeeding.

So characters? Very mishandled, with some comedic moments that land. Just don’t expect any sort of growth or depth beyond a 1 block pond.

Story

The movie feels like “behind the scenes”, there was a lot of committee in its making. Without a cohesive vision to make the entire project unified, it feels exactly like a corporate cash grab with interference. A lot of the IP itself is handled well, with nods to Minecraft culture. Some not so much, like the most polite creepers ever. The movie also doesn’t really do a good job of explaining why its characters would ever choose to leave the Overworld for the real world. You have two lonely kids, one in a bad job and the other in a bad school. A woman who seems to be hustling at multiple jobs that are tiring her out. A guy who is stuck in the past and would kill for a chance at some forward measure of success. Also, what happened to the diamonds they went out of their way for him to pocket? Steve also has no real reason to leave, as he seems to love where he is and has not tired of it. The only thing that made me see the sense in their choices was that the world didn’t inspire the level of joy that the game does and that is a shame.

Oh, and the post-credits sequel setup was weirdly done. It is clearly one person acting and another person speaking as Alex.

Damn It.

Not long ago I wrote a complaint post about The Elder Scrolls Online. I have had an on and off love affair for over 10 years with the game now. Having played so long, there are areas I have explored every inch of, and yet somehow there remains a lot still that I have not seen. That last part has allure that always keeps me in the loop of what is going on with the game. I may complain about Crown Crates and animation canceling, but I haven’t put over a thousand hours into the game because I hate it. In my eyes, The Elder Scrolls Online is a fantastic game that sometimes gets in its own way.

There is no doubt that content is winding down a little compared to the old release schedule. My guess is this is part of more and more resources being diverted to the companies other secret MMO. That is why I was so surprised to learn about the upcoming subclassing and a sort-of-answer to the long wanted furnishing storage issue. I am also having a gripe constructive criticism from my last post answered, they plan to add a way for people to voluntarily make overworld content more difficult. Most importantly of all though, as a strictly argonian player, it looks like half of the new zone is going to be argonian heavy. Damn it, ya got me.

ESO is reinstalled, my addons are all up to date, and my plans for the future include checking out what this content looks like. However, I am not going to buy the new “Content Pass” just yet. My plan is to keep playing some of the adventures I already have, that I haven’t yet completed, and to watch.

However, I also have a lot of other gaming wishes but not a large desire to game a lot this year. I will see how that shakes out, as I am passionate about experiencing new (to me) things.

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True Detective: Season 4 (2024) 2.5/5

Season 4 of True Detective benefits a lot from its cast, with everyone involved turning in great performances. Kali Reis and Jodie Fosters, the leads this go around, give nuance to their characters that make them compelling to watch. Reis has to play it a bit more straight while Foster gets to come across more as an antihero, and it is legitimately fun to watch. Reis does get an interesting romantic relationship though that flips what we are used to seeing and that was exciting.

Not all of the supporting cast can say they get as much to do. Christopher Eccleston is a presence that is around until he suddenly isn’t, and Fiona Shaw is mysterious and underdeveloped for the role that she plays. Again though, nobody does poorly with what they get.

The first episode sets high expectations and is truly unsettling. Unfortunately it did not pay off, and the final episodes explanation just made me wonder if these were really True Detectives if so much went unnoticed. What is worse is the use of horror-like elements sometimes come across cheap. An orange can be a powerful way to connect ideas together and imply something going on with a persons mind, but what are we to think of random spirits behind our characters that they never see? There is no story there, unless the implication is that the audience is hallucinating or going through something spiritual.

Benefiting the show is its cold atmosphere, set in the remote town of Ennis, Alaska. The sets are great and become a bit of characters themselves. Visually, the show should be commended. It really sells this cold setting and the cast leans into it.

Jodie Foster’s character asks people around her to ask the right questions, but you aren’t rewarded for doing that here as the audience. Why was there a need for secrecy in these two peoples relationship? There wasn’t. Why did that guy sit up in his bed and say what he said? Spooky vibes. And on and on. The show wants to be really smart, but it does not stand up to even the most basic questions.

By the end of it all, I felt a bit cheated. It never reaches Lost levels of not paying off, but it doesn’t slouch either and its final explanation and whimsical sendoff did not feel good. This is a story that promises a lot and delivers very little. If you can survive on vibes alone though, they are there and they are good. I’m not really mad, just feeling a bit let down. For a show that started so strong, and felt like it had something to say, it could have gone with a much stronger writer to make it all feel connected. I may never know who wrote, or had the time to write, “we are all dead,” but I certainly died a bit from the lack of cohesion.

My Jack Nicholson Adjacent Story

I saw an article about Jack Nicholson, living out his retirement, and I remembered hitchhiking my way through Colorado. I may expand on that story some more in the future, but not now, as it all feels like pieces of me rather than a singular story. It was not just me, though—Realeo was with me, and we got picked up by a guy whose name escapes me. It may be written on my massive hiking pack that I purchased immediately before the trip, as we asked each person to marker their name and anything else they wanted to. Most people wrote something. I’ll have to take a look.

This was my first long-distance journey, and so I thought getting the largest pack made the most sense. Dear reader, it did not, and I paid dearly. I remember the pain being only compounded by the mixture of items the internet assured me we would need for our journey: metal spoons, gallons of water, a tent, two sleeping bags, one of the fancy water containers every single nurse owns, cans (yes, cans!) of food, and much more. We even gave away items as we traveled. That all being said, I wouldn’t take it back and still look back fondly on the journey. I’ll just say that if you’re ever going far and carrying it all, consider the value of plastic spoons and bottles over fancy, unnecessary items. Less is often better.

Anyway, along the journey we had people we met sign the hiking pack. This guy apparently had worked in construction on a home in Aspen belonging to Jack Nicholson. Nicholson wanted a complete remodel of the kitchen, and the guy described it as a million-dollar job. When the job was done, the guy said Nicholson took one look at how it turned out and then paid again to redo it in a completely different style.

So that is it. That is my Jack Nicholson story that I was not even there for. I just found it interesting—that level of opulence. It was especially interesting, as I pondered the items I shed along the journey. Now, in retrospect, I realize that I was having the best time while having had the least I’ve owned.

Fedora: Solving “initframfs” Kernel Panic Issue

This is not much of a post, so much as a reminder for myself. Something specific to my system makes it so that occasionally Fedora issues a Kernal Panic warning, and I have to select a prior version to load. Three times now I have had to locate this Stack Exchange web page to fix the problem, so I thought I should just record the way to solve the problem here. Although I think I may end up trying Debian with Gnome next time I have time to rebuild my system. I think I would get a lot out of the stability that both offer. I think using Gnome instead of KDE will be the largest adjustment, but also will be fun to try.

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Teleprompter Apps for Linux

A lot times when people record themselves, you see their eyes slowly drift down as they read through their script. An easy easy way to make it look like you know what your doing is to use a teleprompter app. It is not perfect, but at least it will keep your eyes in one place. For myself, I tried out two before settling.

Teleprompter by Nokse [link]

This is such a clean interface and very straight forward. I think Teleprompter fits right at home in a clean environment like Gnome. However, I am hoping to see more fine tuning control over the speed of the teleprompter, as I needed it to go just a little bit slower than it would allow me to lower the speed down to. I have opened a request on github for this, and hopefully the creator will be open to doing so, as I love the simplicity of Teleprompter.

QPrompt by Javier O. Cordero Pérez [link]

QPrompt does so many things. It can be complicated if you see the bar at the bottom and get overwhelmed, but it does not need to be. That is all stuff you can play with, but do not have to. Just click the little wrench icon and you can then adjust the “step acceleration,” or the speed of the prompter. This is what I ended up using for my needs, but I felt like this may be a lot for my simple needs. That being said, clearly a lot of effort went into QPrompt and it will probably serve more of the KDE mindset better. You have all the options you need, like opacity, alignment, velocity, countdown timers, backgrounds, and so on. If your like me, you can just paste your text in and set the speed and go as well. It should be noted that QPrompt runs on Linux, Windows, macOS, and Android.