Author: Verse

Creature Commandos: Season 1 (2024) 4/5

Creature Commandos

The major plot points do not shock or surprise in Creature Commandos, but the journey is fun nonetheless. If you are familiar with James Gunn’s recent works, then you will know what to expect here. The lovable weirdos prove themselves to be lovable once again through his careful telling.

I think if the show had a bit more time with characters, it could go even a bit further. Some back stories do feel a little rushed and one feels a bit inappropriately placed. However, it speaks to the quality of the show that wishing for mostly more is a complaint. The attention to details in mannerisms from the script to the animation are to be applauded.

There is a lot of stand out work in the voice acting as well. Sean Gunn is a joy as G.I. Robot and once again as Weasel, Shohreh Aghdashloo shows up briefly as a Madam, Alan Tudyk is magnificent as Doctor Phosphorus, really nobody phones it in. I think David Harbour is probably the only character, as Frankenstein, that it was a little tougher for me to not hear the actor instead of the character. I get it though, Gunn wants to cast characters who can also fill in as live action versions of their characters and I would be on board seeing Harbour treated to a muscle suit in a good movie this time.

I hope Gunn can figure out a way to keep the outlandish and the weirdos functional in a mainstream way, because this gave me hope for vibing with comic book movies again.

The Narcissism of Small Differences: The Distractions in Games

Twelve years ago I watched Adam Sessler talk about the necessity of throwing away all of his physical game cases. He had a phrase that stuck with me ever since, the “fetishization of minutia.” Sessler spoke of how games emphasizing special editions and unique DLC take away from the cultural conversations around games. Ultimately, he expressed that he felt everyone was being manipulated and missing the experience of just playing our games and not focusing on hypersensitivities.

I’m no saint speaking from a podium of purity. A couple of years ago, I was begrudgingly all in on the predatory Crown Store in The Elder Scrolls Online. I was played and felt awful for having participated in a part of what is an otherwise lovely game. I am not unsympathetic to appreciating the desire or hyper focus on wanting something. I have a shelf of unopened board games that knows this too well.

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I Waited to Play Sons of the Forest

Authors Note on January 16th, 2025: It appears there is life. The game has gotten a sizable number of fixes applied to it and raft structures have made an appearance. I’m going to leave the rest of the post as is for posterity. I will add that I have softened on the game after this. I do think communicating more updates were coming would have helped.

Original Post:

The original game, The Forest, gave me a ton of positive memories. Steam says I played it just shy of 60 hours, and I can say that I thought it felt like more because I was sucked in for a while. The game exuded horror and the survival elements felt like an ingrained challenge. Last year Realeo got me a copy of Sons of the Forest as a gift, but I wanted to wait until early access was over. Well it is over, sort of.

Sons of the Forest does not feel like the game I was hoping for next. I’m only about 15 hours in so far, but it is extremely apparent that the game is incomplete. With the last small hotfix coming 200 days ago, I do not think the game is going to see any more attention and that is a shame. The bones are still the same game, to a fault. However, balance and lack of growth hold Sons of the Forest back.

From the opening, you are treated to another flight-start but without the emotional investment delivered. Much like the first game, you collect resources and build a base of sorts, but this time you have an AI companion. Kelvin is this adorable fellow who you communicate to via written exchanges that are often ignored. You see, Kelvin has a singular brain cell. I won’t say too much more, but Kelvin is not the only friend you can meet but there are no more brain cells and so it is shared amongst them.

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Silent Night (2021) 2.5/5

Silent Night is a dark holiday drama that throws comedy, apocalyptic tones, and moral themes into a blender. The idea of the movie is interesting, and the cast is here for it, but the inconsistencies in how it is all dealt out—like how some characters get so little development—are what hold the movie back from being any sort of Christmas contender.

Some more commitment to being darkly humored, or to the melodrama it wants to be, would go a long way toward fully appreciating this English countryside slow-caper. The cast is not slouching, as I genuinely wanted to see more from some, but they never quite go far enough.

On the note of dialogue, abundance of expletives do little to fill the rooms here and it doesn’t really convey what I think was intended — a world that is ending, with societal shackles dropped. Especially when the movie flip-flops between the humor of maintaining a clean household and being nonchalant because, well, end of the world.

The staging, the aforementioned English countryside, holds a lot of opportunity but is little more than a place where the movie happens to occur. Silent Night never feels like it takes full advantage of what it has. The initial reveals of the where, who, and what are legitimately interest! This makes it all the more unfortunate that, in the end, the movie feels wasteful. So much promise meets an unfortunate ending that, in the final act, feels forced and sadly unsurprising.

 

Kraven (2024) 2/5

I wanted to like Kraven, I really did. Watching Aaron-Taylor Johnson punch windows is an enjoyable way to spend time. The problem is, nothing is gained here. I have no more faith in Sony to make anything solid with the Spider-Man villains than I did before. The writing is atrocious, and the visual spectacle, in a sea of visual spectacles, doesn’t really impress.

That is a large part of the problem with Kraven summed up. Everything feels like it has been done better elsewhere and with better sense. Simply being less egregious than Madame Web is not enough, nor should anyone use that metric. If you put together a capable cast like Kraven did, then you should bring a script and direction that makes something not immediately forgotten after viewing. Russell Crowe is a very capable actor, but he feels wasted here, and everything you think is going to happen is mostly what happens. It is unbearable.

I really wish there was some common sense in the writing most of all. This is Kraven, and him being a bit naughtier would have been a welcome thing. Like when Kraven asks what the magic juice—the source of his power—is, maybe wrap that around the idea that he wants more power, he is… craving it. The visuals also imply a movie that wants to be edgy but then pushes back against itself. Why go for an R rating if it is just to knock off a few goons and then contrast that with PG-13-style displays of Kraven getting tossed around? The blood and violence never feel truly integrated into the world around them, as they appear and vanish instantly. There is a helicopter scene that gets close to cool, but while doing more, it somehow feels a lot less than Captain America: Civil War and its helicopter-wrangling. That is the whole movie though, making you wish you were watching something else.

The villains are just there in Kraven, and the setup for familial conflict—both within the film and for its high-hoped sequel—is exhausting and often feels unearned.

The Minor Keys: Christmas for One

I’m the holiday-type. It feels weird to need to say that, but I have met people who really do not welcome date-specific times of celebration. I enjoy an excuse to be merry and put up bright lights, but this year I am a bit at odds with Christmas. I find myself alone and living in an in-between town, squared center from where I was to where I am going, and that is not conducive to cheer. I’m doing my best though, I made a couple of people happy and that always warms me for a bit, but sometimes I just want to read a book or listen to music with people like me.

This post may come off a little bit Microwave Cooking for One, but there is a season for everything and everyone.

The Right Music

Joni Mitchell’s song, River, opens with a minor key contrast of Jingle Bells. Wouldn’t it be nice to get away from the loneliness of the season and skate down a river?

The Right Socks

Keeping warm during the holidays extends well beyond what you feel in your heart. Ground yourself with some special socks, even a single pair. Sometimes when we feel down, we forget

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Red One (2024) 2.5/5

Shining brightest when leaning into unique ideas on mythology, Red One also does little with what it makes. That being said, Kristofer Hivju’s portrayal of Krampus is kind of awesome beyond the rest of the film. Unfortunately, Christmas magic seems to be missing from Red One. Visual effects, while serviceable, drain a lot of the movies energy with their overly abundant presence. You can feel the green screen imposing upon cheer, lurking. Like the sweet-sapping presentation of a “where it all began” sign, hanging off of a CGI creation of Santa’s original workshop.

Dwayne Johnson is Dwayne Johnson and Chris Evans is Chris Evans with a little bit of Ryan Reynolds in spirit. Both of the leads are likable, but they do not leave such a mark as to feel attached to the movie in any irreproachable union. Watching Evans get rag-doll thrown around in action sequences feels awkward at times, lacking any special powers, and left me wondering if the film forgot he is not playing Captain America.

The movie is not a pure misfire like the poster would leave you to expect and I would never say it is a lump of coal, but it could be a padding gift at the bottom of a stocking. The originality is mishandled, but somehow the film still sneaks in as average. I credit Krampus and his large hands. If you are into action flicks and mindless holiday viewings, then maybe consider Red One. Just be prepared, because the movie runs about half an hour longer than it deserves.

The Muppet Christmas Carol (1992) 4/5

Brian Henson, the son of famed Muppets creator Jim Henson, has created one of the best renditions of Charles Dickens, A Christmas Carol. It is played for all audiences, but this approach never holds back the movie and it certainly never feels like a movie that is talking down to its audience.

I reviewed another one of Brian Henson’s creations last year for Halloween. Battleground, an episode of the anthology Nightmares & Dreamscapes: From the Stories of Stephen King, featured a hitman (William Hurt) locked in an exciting battle with toys. The best episode of the collection by far, it does not surprise me then that The Muppet Christmas Carol is also such a standout. The attention to detail is as rich with the Muppets, as actors and puppet-actors mix effortlessly and with joy.

Michael Caine’s role as Ebenezer Scrooge is also timeless. Caine is just purely delightful to watch, as his eyes and subtleties give life to the well worn shoes. Scrooge grabs onto the characters and world around him and it is sincere and elevates the movie. The face certainly is not the whole movie, but if you are going to be one of the few people-people in front of the camera then it is what you would hope for.

Oh and the sets. They are absolutely charming. The Henson name comes with an expectation, at least in my eyes, to be captivated in a kind of magic for the worlds involved. The Muppet Christmas Carol is no slouch either in this regard as the puppets you expect to see are all standouts. What is even better are the newer characters, creations to fill the three ghosts, as they are striking and fantastic camera tricks make them all the better.

Finally, as a light musical, what would it be if I did not touch on the songs. Paul Williams composed a wonderful assortment of songs that mostly plays well to its setting and feels ripped straight from Dickens pages. In fact, a quick scouring of the internet reveals that this was in fact how Williams went about it, turning the pages and finding the words. Just listen as the song Scrooge opens the film and hear the affection or enjoy the Marley brothers in one of my favorite scenes. I can see some people not connecting with everything, I didn’t, but buying into the intent means a lot here.

If you find yourself watching The Muppet Christmas Carol, you will feel the magic or you should be checked for a pulse.