Categories: Movie and Series Reviews, 3/5

Novocaine (2025) 3/5

Jack Quaid is Nate, who finds himself chasing down the sudden love of his life (Amber Midthunder as Sherry). There are twists along the journey, but none that are handled very well. Then there is Ray Nicholson as Simon, the supposedly menacing villain of the movie, who feels as though he is constantly holding back and playing into the writers’ room.

There are undoubtedly funny moments, and it is probably the strongest area of the film, but some deliveries could be punched up, and some payoffs could happen that never do. I found myself thinking about how the movie could benefit from a partial injection from the movie Crank. Novocaine certainly doesn’t need everything Crank was, but it could use a bit more energy and self-awareness. As is, it gets a bit lost in monologues and a bit of a middling tone.

This is where I get a little into spoiler territory. I think the pie thing should have looped around with him accidentally biting himself and bleeding a little, with that same big smile on his face. Some more characterization would have helped to explain why this guy goes as far as he does for Sherry and why he is so quick to okay her criminal ways—having been involved in this situation and past ones that got people killed. It was probably okay that Sherry was two-dimensional, but I don’t think the protagonist should be so close on the line. The last act is a bit too long, and I was tired at seeing Simon’s inevitable demise being dragged out.

I think people who are looking for a dumb-fun type of time will get a lot more than me out of this. I like to backseat my brain sometimes, but I am also the wrong person to ask to get excited about car chases or to overlook people acting in nonsense ways.

The Knick: Season 1 and 1/2 of Season 2 (2014-2015) 3/5

The Knick is treated to an excellent cast and some incredible direction leads to scenery that is captured in fantastic ways. However, I couldn’t bring myself to finish the series even after so much time invested. It was just sitting there, and I did not want to look at it.

There is an interest in the first season that is inherent. Seeing medicine in a period of time and without reservations is compelling. The drug fueled medicine feels unique, even in a world where House exists. Clive Owen, the shows center-focused lead, is both awful and endearing as he threatens to sew a nurses mouth shut. None of the other cast members are slouching either.

Still though, season 2 just was not the same for me. The concerns of the show seemed to have changed and my interest went with it. I think I deserve credit for sticking it out, I believe, a good five or six episodes before sort of wandering off. I had the time, but I just did not want anymore. Perhaps if it were sewn as tightly as the first season.

Apocalypse Z (2024) 3/5

Apocalypse Z, with its slower patient beginnings, makes you think it may offer unique insights. Those never come though and everything the movie does is completely predictable to even the most undiscerning of eyes. However, as a dumb zombie flick there is still something here. A lot of tired repeats of the genre are avoided and those that are there are fleeting, so it is not an offensive outing in a well worn path.

On the audio side, I feel the need to speak out against the use of pig sounds for zombies as it completely ruins any enjoyment of those moments. Visually it is up and down, with most sights being solid and others feeling like old Syfy channel flicks made on pocket change. The cast is great though, from little old ladies to our lead.

If the movie were a bit more clever and less by-the-numbers then maybe it would be more than middle of the road. However, I have read that this is a part 1 of a series, so perhaps we will get to see a bit more ambition in a sequel. I certainly have enough good will to watch another.

A Nightmare on Elm Street (1984) 3/5

A Nightmare on Elm Street trips over a lot of rough acting and disproportional responses by characters. Also there is no way all *that part* happened in the span of 10 minutes.

Some effects do not work at all, like stepping into bowls of oatmeal or the terrible door-pull, but they are sparse. The worst offenders take place anytime anyone is running anywhere. I don’t think Wes Craven knew what running is supposed to look like or how silly it looked having supernatural Freddy sorta-trip over a trash can that wasn’t really in the way. The boobytrap stuff also feels silly and wrecks the tone a bit. That all being said, Freddy is a presence to be afraid of and genre defining moments shine even by modern expectations.

It is easy to see how A Nightmare on Elm Street is significant to film as a whole.

Deadpool (2016) 3/5

Deadpool coasts on the goodwill it gets from a few really funny scenes, but large parts of the movie are below average. Even a fourth wall breaking comic book character should have a solid story and interesting bad guys.

Dave (1993) 3/5

Everything is stretched a bit and nothing from beginning to end is a surprise, but it is very cute and sometimes you just want an easy movie. Frank Langella has a scene that takes the cake and is legitimately memorable.