Categories: Movie and Series Reviews
Tags: Christmas

Red One (2024) 2.5/5

Shining brightest when leaning into unique ideas on mythology, Red One also does little with what it makes. That being said, Kristofer Hivju’s portrayal of Krampus is kind of awesome beyond the rest of the film. Unfortunately, Christmas magic seems to be missing from Red One. Visual effects, while serviceable, drain a lot of the movies energy with their overly abundant presence. You can feel the green screen imposing upon cheer, lurking. Like the sweet-sapping presentation of a “where it all began” sign, hanging off of a CGI creation of Santa’s original workshop.

Dwayne Johnson is Dwayne Johnson and Chris Evans is Chris Evans with a little bit of Ryan Reynolds in spirit. Both of the leads are likable, but they do not leave such a mark as to feel attached to the movie in any irreproachable union. Watching Evans get rag-doll thrown around in action sequences feels awkward at times, lacking any special powers, and left me wondering if the film forgot he is not playing Captain America.

The movie is not a pure misfire like the poster would leave you to expect and I would never say it is a lump of coal, but it could be a padding gift at the bottom of a stocking. The originality is mishandled, but somehow the film still sneaks in as average. I credit Krampus and his large hands. If you are into action flicks and mindless holiday viewings, then maybe consider Red One. Just be prepared, because the movie runs about half an hour longer than it deserves.

The Muppet Christmas Carol (1992) 4/5

Brian Henson, the son of famed Muppets creator Jim Henson, has created one of the best renditions of Charles Dickens, A Christmas Carol. It is played for all audiences, but this approach never holds back the movie and it certainly never feels like a movie that is talking down to its audience.

I reviewed another one of Brian Henson’s creations last year for Halloween. Battleground, an episode of the anthology Nightmares & Dreamscapes: From the Stories of Stephen King, featured a hitman (William Hurt) locked in an exciting battle with toys. The best episode of the collection by far, it does not surprise me then that The Muppet Christmas Carol is also such a standout. The attention to detail is as rich with the Muppets, as actors and puppet-actors mix effortlessly and with joy.

Michael Caine’s role as Ebenezer Scrooge is also timeless. Caine is just purely delightful to watch, as his eyes and subtleties give life to the well worn shoes. Scrooge grabs onto the characters and world around him and it is sincere and elevates the movie. The face certainly is not the whole movie, but if you are going to be one of the few people-people in front of the camera then it is what you would hope for.

Oh and the sets. They are absolutely charming. The Henson name comes with an expectation, at least in my eyes, to be captivated in a kind of magic for the worlds involved. The Muppet Christmas Carol is no slouch either in this regard as the puppets you expect to see are all standouts. What is even better are the newer characters, creations to fill the three ghosts, as they are striking and fantastic camera tricks make them all the better.

Finally, as a light musical, what would it be if I did not touch on the songs. Paul Williams composed a wonderful assortment of songs that mostly plays well to its setting and feels ripped straight from Dickens pages. In fact, a quick scouring of the internet reveals that this was in fact how Williams went about it, turning the pages and finding the words. Just listen as the song Scrooge opens the film and hear the affection or enjoy the Marley brothers in one of my favorite scenes. I can see some people not connecting with everything, I didn’t, but buying into the intent means a lot here.

If you find yourself watching The Muppet Christmas Carol, you will feel the magic or you should be checked for a pulse.

Dear Santa (2024) 1.5/5

I am not sure who will be watching this once it disappears from feeds. It does not commit enough to any direction and turns its premise and in-world rules about wishes into nonsense by the end of the film, and it does so for no payoff.

Jack Black’s costume was cool though.