Categories: Movie and Series Reviews, Crime

Cold Comes the Night (2013) 1.5/5

It is hard to imagine that Cold Comes the Night coincided with the conclusion of Breaking Bad. One had Bryan Cranston giving a career defining closeout performance for one of the most well regarded shows, while the other is Cold Comes the Night. I swear it is almost incomprehensible how these are the same two people. I guess all the good juice got squeezed for Breaking Bad, because Cranston is the weakest link in the cast here.

I would not give the lions share of blame to the actors though. Direction for the movie is very off. The script also does no favors, but execution is the death of it. You can see it in how Alice Eve has a couple of scenes that are obviously in need of another go, while the rest is fine. There is a garage scene and someone is the lookout for Cranston’s Togo, and it may be some of the worst line delivery. Those kind of problems extend to the whole film. Some scenes actually work well and then others are so obviously bad that they felt unguided.

I learned that during the making of Cold Comes the Night, Cranston made a short film, Writers Block by Brandon Polanco, with some of the movie crew during bad weather. Honestly, if you just want some Cranston then watch that. It is very much an art piece, so it will not be for everyone, but it is 12 minutes of Cranston being the best part of something. That is a world I prefer.

The Day of the Jackal (2024) (Episodes 1 & 2) 2/5

The Day of the Jackal feels like cheap TV, but with a bigger budget. The story is not particularly great so far if you do anything other than swallow everything that is presented to you, a hard pill when a lot does not make sense. Fitting of daytime network TV, there is an army of one British intelligence officer who does it all. They come up with the ideas, know which individual in the entirety of the world is likely to have the answers they seek, do the CPR themselves in an ambulance, go on site and chase the baddies themselves, and they aren’t afraid to raise their voice to their superiors.

In a world of police procedural shows, there is nothing special here in the first two episodes and I don’t think it deserves more of my time in hopeful improvement. The edge to the show, that it deeply wants, feels heavily manufactured and hamfisted into a blah existence. This is not the spy thriller for grown-ups some would have you believe.

I think people are going to be harsh on the portrayal of Bianca by Lashana Lynch, but I think her consistency shows she is capturing what the show probably asked for. The layers of tropes were written in. Eddie Redmayne gets it a bit easier as Jackel, who is likable despite his chosen profession. The choice to go that rout, mirroring one another and who is and isn’t likable, is one of the more interesting choices of the show. However, all good will bought is then sold for nonsense events and smart characters not asking basic questions.

Fallen (1998) 2.5/5

Carried largely by an idea and a stellar cast, Fallen is unable to bear the weight of talent. People like to do hypotheticals about movies that could use a remake, and this is a high candidate in my opinion.

Despite its failings, its uniqueness make it still an enjoyable watch and I am a sucker for its vibes. If only it were a little tighter in its writing, rethought its camera tricks, and came across just a bit smarter.

Run Hide Fight (2020) 0.5/5

I did not know what this was before going into it. I picked a random movie and just went. It took very little time to be know it had to be some politically driven film. Then it gets way worse with all the speeches.

I don’t care who makes the movie, but this was so in-your-face trying to stroke its hero complex to full attention. Uneven acting and poor direction add to the films problems. I see some people calling it Die Hard in a school, how dare you.

The biggest thing? For a movie that tries to be shocking, it really is dull.

Woman of the Hour (2023) 2.5/5

Woman of the Hour tries to tackle a real life story, and in that regard it falls on its face. In trying to tell a specific story, the film makes up characters, completely reinvents others, and ultimately ends up downplaying the serial killers degeneracy and, like so many of these, give him a smoothness that is inaccurate to history. (the real life character Kendrick played never went anywhere with him, noting he was “creepy”)

The other issue is that Anna Kendrick herself comes across very contemporary and feels out of place. Wardrobe, dialogue, and acting choices could have done a lot to make the character more believable to the period.

I get what the goal was with focusing around Kendrick’s character, her relationship with men at large, and the show, but I think the movie would have been better served without her prominence. It all felt a bit heavy handed and like it took up too much space. There is a more gripping story here, and it is the real one.

American Gangster (2007) 4/5

An overall pretty good movie with two things I took a little issue with. One, I would have preferred a less fluffed ending, it almost seemed like the close out of a buddy-buddy film. Second, and I know I would get a lot of push back for this, I think Denzel didn’t give it his best. Denzel is great, so his decent is still pretty good, but I think he could have leaned in more at certain beats to drive home the stories intent.