Categories: Movie and Series Reviews, Family

A Minecraft Movie (2025) 2/5

I have probably spent upward of a thousand hours goofing off in Minecraft Java Edition. I accomplish very little, but I always have a good time each time I jump back in since launch. That being said, I know the target audience is probably younger and so I went into watching A Minecraft Movie ready to embrace that it was for a younger audience. Even having done that, I just don’t think the movie is very good. Spoilers ahead.

Visuals

Visually, the movie is charming at times. In the real world, there is an aesthetic to the locations and even more so to the characters. However, I think quite a few scenes in the Overworld are jarring as real people stand on animated terrain. At times, the green screens feel present even when completely unseen. That isn’t to say that there is not some cool imagery here. The Nether looks especially neat and is an area that is mostly kept for just the piglins, and so it works very well.

Characters

Jack Black doesn’t slouch in his efforts as Steve, and fully tries to sell each scene regardless of whether they work or not and that is to be commended. Most of the other characters don’t really get fleshed out. Danielle Brooks is almost insultingly treated, as she plays Dawn, who gets to serve up almost nothing to the story and her character is little more than just a face to react to things. Trailing behind is Emma Myers as Natalie, with some initial development that doesn’t ever go anywhere or circle back meaningfully. Jason Momoa as Garret “Garbage Man” Garrison gets some fun moments and serves as comedic relief and a very mild foil to others’ good intent. He has some legitimately funny personality and that was cool to see when I was assuming he would grate my nerves based off the poster. Henry, played by Sebastian Eugene Hansen, doesn’t change throughout the flick and his growth is not succeeding (through no fault of his own) and then succeeding.

So characters? Very mishandled, with some comedic moments that land. Just don’t expect any sort of growth or depth beyond a 1 block pond.

Story

The movie feels like “behind the scenes”, there was a lot of committee in its making. Without a cohesive vision to make the entire project unified, it feels exactly like a corporate cash grab with interference. A lot of the IP itself is handled well, with nods to Minecraft culture. Some not so much, like the most polite creepers ever. The movie also doesn’t really do a good job of explaining why its characters would ever choose to leave the Overworld for the real world. You have two lonely kids, one in a bad job and the other in a bad school. A woman who seems to be hustling at multiple jobs that are tiring her out. A guy who is stuck in the past and would kill for a chance at some forward measure of success. Also, what happened to the diamonds they went out of their way for him to pocket? Steve also has no real reason to leave, as he seems to love where he is and has not tired of it. The only thing that made me see the sense in their choices was that the world didn’t inspire the level of joy that the game does and that is a shame.

Oh, and the post-credits sequel setup was weirdly done. It is clearly one person acting and another person speaking as Alex.

The Muppet Christmas Carol (1992) 4/5

Brian Henson, the son of famed Muppets creator Jim Henson, has created one of the best renditions of Charles Dickens, A Christmas Carol. It is played for all audiences, but this approach never holds back the movie and it certainly never feels like a movie that is talking down to its audience.

I reviewed another one of Brian Henson’s creations last year for Halloween. Battleground, an episode of the anthology Nightmares & Dreamscapes: From the Stories of Stephen King, featured a hitman (William Hurt) locked in an exciting battle with toys. The best episode of the collection by far, it does not surprise me then that The Muppet Christmas Carol is also such a standout. The attention to detail is as rich with the Muppets, as actors and puppet-actors mix effortlessly and with joy.

Michael Caine’s role as Ebenezer Scrooge is also timeless. Caine is just purely delightful to watch, as his eyes and subtleties give life to the well worn shoes. Scrooge grabs onto the characters and world around him and it is sincere and elevates the movie. The face certainly is not the whole movie, but if you are going to be one of the few people-people in front of the camera then it is what you would hope for.

Oh and the sets. They are absolutely charming. The Henson name comes with an expectation, at least in my eyes, to be captivated in a kind of magic for the worlds involved. The Muppet Christmas Carol is no slouch either in this regard as the puppets you expect to see are all standouts. What is even better are the newer characters, creations to fill the three ghosts, as they are striking and fantastic camera tricks make them all the better.

Finally, as a light musical, what would it be if I did not touch on the songs. Paul Williams composed a wonderful assortment of songs that mostly plays well to its setting and feels ripped straight from Dickens pages. In fact, a quick scouring of the internet reveals that this was in fact how Williams went about it, turning the pages and finding the words. Just listen as the song Scrooge opens the film and hear the affection or enjoy the Marley brothers in one of my favorite scenes. I can see some people not connecting with everything, I didn’t, but buying into the intent means a lot here.

If you find yourself watching The Muppet Christmas Carol, you will feel the magic or you should be checked for a pulse.