Categories: Movie and Series Reviews, Movie and Series Rating 4/5

The Muppet Christmas Carol (1992) 4/5

Brian Henson, the son of famed Muppets creator Jim Henson, has created one of the best renditions of Charles Dickens, A Christmas Carol. It is played for all audiences, but this approach never holds back the movie and it certainly never feels like a movie that is talking down to its audience.

I reviewed another one of Brian Henson’s creations last year for Halloween. Battleground, an episode of the anthology Nightmares & Dreamscapes: From the Stories of Stephen King, featured a hitman (William Hurt) locked in an exciting battle with toys. The best episode of the collection by far, it does not surprise me then that The Muppet Christmas Carol is also such a standout. The attention to detail is as rich with the Muppets, as actors and puppet-actors mix effortlessly and with joy.

Michael Caine’s role as Ebenezer Scrooge is also timeless. Caine is just purely delightful to watch, as his eyes and subtleties give life to the well worn shoes. Scrooge grabs onto the characters and world around him and it is sincere and elevates the movie. The face certainly is not the whole movie, but if you are going to be one of the few people-people in front of the camera then it is what you would hope for.

Oh and the sets. They are absolutely charming. The Henson name comes with an expectation, at least in my eyes, to be captivated in a kind of magic for the worlds involved. The Muppet Christmas Carol is no slouch either in this regard as the puppets you expect to see are all standouts. What is even better are the newer characters, creations to fill the three ghosts, as they are striking and fantastic camera tricks make them all the better.

Finally, as a light musical, what would it be if I did not touch on the songs. Paul Williams composed a wonderful assortment of songs that mostly plays well to its setting and feels ripped straight from Dickens pages. In fact, a quick scouring of the internet reveals that this was in fact how Williams went about it, turning the pages and finding the words. Just listen as the song Scrooge opens the film and hear the affection or enjoy the Marley brothers in one of my favorite scenes. I can see some people not connecting with everything, I didn’t, but buying into the intent means a lot here.

If you find yourself watching The Muppet Christmas Carol, you will feel the magic or you should be checked for a pulse.

Oddity (2024) 4/5

Oddity is excellent at building tension and has perhaps one of the creepiest scenes I have seen in a movie. However, I can’t help but feel it would have benefited from telegraphing itself a little less. That being said, I think the story is strengthened by its patient telling through a carefully constructed atmosphere that chills.

I am also pleased by the handling of jumps and visual horror. I am not to keen on being startled but I felt like each was led into rather than cheaply surprised. I also find a lot of visual violence hard to appreciate, and so I enjoyed that only the aftermath is ever shown.

Ultimately, I am in a bit of a spot on how to rank this movie. I want to say Oddity is a flawless movie, but I find myself longing a bit more for the cards to be held a bit closer to the chest and for characterizations to be little less on the nose.

You will benefit a lot from skipping the trailer or synopses for this one, I know I did.

American Gangster (2007) 4/5

An overall pretty good movie with two things I took a little issue with. One, I would have preferred a less fluffed ending, it almost seemed like the close out of a buddy-buddy film. Second, and I know I would get a lot of push back for this, I think Denzel didn’t give it his best. Denzel is great, so his decent is still pretty good, but I think he could have leaned in more at certain beats to drive home the stories intent.

A Quiet Place Part II (2020) 4/5

Building off of what came before, Regan, the daughter, is now empowered and her and the movie at large are reconnecting humanity. If the first movie was about grief, sacrifice, and survival, then this one is about hope and resilience.

I’m just going to make a list here because I don’t have it in my to explain properly why I like this movie and yet have a lot of issues with it at the same time.

• Multiple times adult characters just up and leave children when everything tells us they would let them know first, if at least so that they do not follow.
• There is also a blatant misunderstanding of how a basic amplifier works and I looked really close for a battery compartment. You cannot just cut the cord off and immediately use it.
• Then there is the use of a record player as a two parter issue, one being that it is convoluted way to get attention and two being records do not just keep playing nonstop like an mp3 would. The second I can let go and assume the station had some automatic arm that was able to repeat the record.
• Oxygen tanks do not explode. Oxygen cannot make a fire, only contribute to it.
• There is a bit where a young character suddenly explores, but the characters motivation doesn’t really exist for this, and I would argue it exists in the opposite direction. I think there is a reason this scene is cut alongside another: one is good and one is not.
• The first movie showed that the creatures seemed like good swimmers. It seems retroactive to now make them die in water. It is around the hour and four minute mark in the original, the basement scene. I went back to check and the thing lowers its head in the water and slithers into it. Shallow? Sure, but that thing clearly was comfortable with water. It was submerged for almost 30 seconds of screen time. Also, Signs did it first.

That all having been said, I still enjoyed the movie and a lot of the touching sentiment was not missed on me. The list makes it seem as though I am going super hard on the movie, but I only say something because I got invested. The only truly awful thing was the amplifier, that hurt my soul. My mind says it is a 3 1/2, but my heart says to give it a 4.

Split (2016) 4/5

James McAvoy carries this film on one of his many backs. Call me crazy, but I think Anya Taylor-Joy does a disservice to her role in comparison. Nothing egregious happens but I think the part allowed for a stronger presence at a few key moments and she never really got there.

The story itself is enjoyable but does not always unfold itself cleanly. I think some adjustments would elevate the movie further.